Showing posts with label Cotton Couture. Show all posts
Showing posts with label Cotton Couture. Show all posts

Thursday, August 14, 2014

Chroma

My new collection

is a tribute to color
presented in simple silhouettes


Color Hue Rainbow Original Masterful Abstract


evoking a modern, urban renaissance


free form rectangles and circles akimbo and askew


primitive, rough-handed vertical ragged stains


 droplets etching meandering, shape-shifting paths



Used together or separately
they’re graphically focused to embolden your artistic sensibilities




can be viewed by clicking above, 
and the free download of


For the men's shirt I used the selvage with my name for the label and color windows as a trim on the bottom front placket. 
No two buttons are identical.

Cotton Couture in Brite White worked wonderfully for the pillow cases both in having a soft hand and it sews so effortlessly.

Hope you are as excited with the new collection as I am!

Happy Stitching!
Mark

Saturday, April 20, 2013

So... Let the Hop Begin!


This is an exciting moment. A few months of coordinating, telephone calls, emails, mailing packages and great conversations have lead to this... the Mirror Ball Blog Hop.

I can guarantee that this will be informative, inspiring and creatively stimulating. We're also going to become well acquainted before we're through. I hope it's going to be like a great book or a movie series - for when it comes time to end we're sad because we spent so much time together and it's time to say, "Aloha."

With this first post the Blog Hop is officially launched. The concept was to get six designer/artists/bloggers - all Mirror Ball Dot enthusiasts - to work with the new color palette that was released last year. I limited the participants to four fat quarters of Mirror Ball Dot and one-quarter yard of 3 colors of Michael Miller Fabric's Cotton Couture. They were sent 1 yard of each color of Cotton Couture and were allowed to use their discretion in using it but just the same, I tried to limit what they were allowed to work with. The backing, batting, binding or other incidental materials were left to their choosing.

Over the next 8 weeks we're going to share ideas, thoughts and tips on working with the shimmery, glimmery, pearlized, iridescent geometric fabric call Mirror Ball Dot.







Each MBD Enthusiast will post on their respective blogs, so you're going to have to "hop" around, and at each stop you'll have an opportunity to win a Mirror Ball Dot color card and one Fat Quarter of 5 colors of your choosing of Mirror Ball Dot fabric. This week for my post it's real easy to win! Simply leave a comment and a winner will be chosen at random. Winner to be announced in next Sunday's blog post.


April 21:  Mark Hordyszynski - Launch of the MBD Blog Hop and his project
April 28:  Jamie Mueller / Sunflower Quilts - www.jamiemueller.blogspot.com
May 05:   Linda Solovic - http://lindasolovic.blogspot.com
May 12:   Karen Neary - http://sewkaren-lycreated.blogspot.com
May 19:   Elisa Albury - http://stitchoutsidetheditch.com
May 26:   Dory Smith Graham - http://worthygoodstextile.wordpress.com
June 02:  Nanette Zeller - www.NanetteSewZ.com
June 09:  Mark Hordyszynski - Close of the MBD Blog Hop / More MBD Inspiration / Judging for Blog Hop Winner              

So, without further ado, here is...
Pieced Tapa                          

Tapa in Hawaiian is a paperlike cloth. The designs are typically geometric: squares, triangles, diagonal and criss crossing lines, curves forming pointed ovals and 4-leaf clover shapes.

I chose: 4 FQs of Mirror Ball Dot in Onyx, 2 x 1/4 yards of Cotton Couture in Soft White and 1/4 yard in Lava. In addition (with the exception of the Lava C.C.) I was going to alter both fabrics before using them in my piece.

There are two basic methods for altering fabrics: Discharge - the removal of color from a fabric - and Dyeing/Painting - the addition of color to a fabric. Both are explained below.

Pieced Tapa (20" x 30")

Mirror Ball Dot: Onyx

Cotton Couture:
Soft White (tie dyed); Lava

Siren Song: Sunset











Here are two examples of using Mirror Ball Dot with discharge and dyeing (or in this case spattered dye could be called painting).

Snow MBD overdye-spattered with black India ink using an eye dropper - a perfect compliment to the metallic-pearl dot.

Choose a paint or dye that is suitable for the fabric you have selected, and follow the manufacturer's directions for use.

Always test a sample piece of fabric before engaging in the bulk of your project. This helps determine whether your materials are compatible and allows you to get a feel for working with your
technique.
                                                                                                                
Onyx MBD discharged using bleach (or a specially formulated product) to remove color from a fabric. This technique, even more than dyeing, is unstructured and tends to be unpredictable but very fun and  gratifying. 

Different fabrics discharge differently, and many factors determine the outcome, all of which come to play in the end product. Here, bleach is applied to the cotton fabric, and the fabric is placed in the sun. The bleach saturated areas will fade and discharge the color. Things to consider: Are you using 100% bleach, 50% bleach / 50% water, or some other combination of bleach and water? Is it a bright, sunny day or slightly to mostly overcast? Dark colors show better contrast than light colors do. Be assured that whatever circumstances prevail, your results will be unique for that piece of fabric.

Please note: Do avoid using chlorine bleach on any synthetic fiber; the damage is irreversible.

The discharged Mirror Ball Dot shown was done many years ago, was part of my stash, and I was looking for an excuse to finally use it. Ergo, I'd use it in this project!





So that was decided. The Cotton Couture I planned on tie-dyeing for a look and colors that were a modern interpretation of actual tapa cloth. I needed it to be done fast and efficiently with guaranteed professional results - and that is why I turned to my good friend Meriah of Meriah's Maui Dyes - my go-to gal for all things dyed. Of specific note to all you dyers out there: She said of tie-dyeing the Cotton Couture: It dyed better and nicer, with high saturation of dye and color, than some PFD cottons available in the market!

Meriah did a wonderful job and I couldn't wait to get it home to see it next to the MBD discharge.

I barely got through the front door and the two fabrics were out on my work table lying next to one another and... (Home Alone face) - CLASH! The discharge process turned the black background of the Mirror Ball Dot fabric a dark, deep, rich brown-black and there wasn't enough contrast between it and the tie dye - luckily I still had the yard of Onyx so that got thrown into the arena instead.

It wasn't until I was piecing the top together that I decided to throw in a curve ball - something I like to do - adding a sense of the unexpected - so I worked in one of my favorite colors and shades of orange - that fiercely intense warning orange (or as Pantone would have it - Tangerine Tango) to throw the top off kilter slightly, and the quilting came to me in my unrestful sleep that same evening. 


The binding - Siren Song in Sunset - was chosen because again, it's that great shade of orange striped with purples, and I had a piece that was just large enough to cut binding strips from.





















Painting and Dyeing:

Supplies:
100% cotton fabric         Fabric paint or dye of your choice          Eyedropper for spatter
Bristle or foam brush for painting             Protective Gloves          Covered work space

Spatter:
1. Fill an eyedropper with paint or dye. Slowly and carefully squeeze a single drop from the eyedropper onto the fabric. (The further away from the fabric the bigger the "splat".) First work in a circular motion across the fabric, and then in a grid pattern, manipulating the drops to cover the surface of the fabric to your liking.

2. Allow the dye to set or the paint to dry according to the manufacturer's directions. Heat set as needed by ironing on the wrong side of the fabric.

Paint:
1. Paint the color onto the right side of the fabric with a bristle or sponge brush. Dilute paint and dye to produce a softer watercolor look with feathered edges. Undiluted dye or paint will produce solid color with very little bleeding.

2. Allow the dye to set or the paint to dry according to the manufacturer's directions. Heat set as needed by ironing on the wrong side of the fabric.


Discharging: 
The conditions described are an ideal scenario. Adapt as needed to your particular situation.

Supplies:
100% cotton fabric for discharging          Squeeze bottle with a very narrow tip
Bleach          Hydrogen peroxide          Bucket of warm, soapy water     Protective gloves

1. Gather all supplies in a centralized place, in a bright, sunny spot.

2. Place the fabric right side up in the sun. If you are concerned about damaging your work area, protect it with plastic.

3. In a bucket, mix 1 cup of hydrogen peroxide to 1 gallon of warm, soapy water.

4. Put on gloves and fill the squeeze bottle half-full with bleach or a diluted solution of bleach and water to your preference. Then drip, squirt, squeeze or dribble the bleach (or mixture) onto the fabric. When it has been covered sufficiently, stop. The sun and bleach will react immediately and lighten the color of the fabric.

5. After the desired discharged effect or lightness has been achieved (after no more than 5 minutes), put on gloves, and plunge the fabric into the peroxide bath to neutralize the bleaching reaction. Soak for 20 minutes.

6. Rinse the fabric thoroughly in clean water. Machine wash the discharged piece of fabric with soap and liquid fabric softener on a gentle cycle. Dry on lowest temperature.













Saturday, March 23, 2013

My Sister's Quilt or I've Drunk the Kool-Aid and I Feel Fine

When my sister, Dana, was here to visit last year for Thanksgiving, I told her I was going to make her a quilt as her Christmas gift. I also added the clause that I would not have it done on time to wrap and place under the tree, and she was okay with the stipulation.

During her stay we went through most of the fabrics I have in my stash and picked out contenders. As we travelled around the island like we always do, we popped into every fabric shop on the island to buy fabrics that could supplement what we already had chosen. (And please don't think this was an extensive undertaking; I can count the number of shops on one hand, and that is 5 if you include Walmart as a fabric store!) We both gravitated like moths to a flame to these two new fabrics from Michele D'Amore's Tropical Sun-Kissed collection. This pattern was one that I admired so much it had me wishing I had designed it myself and the one print, in two sizes, became the basis of the quilt.


 

So I now have to admit that I have drunk the Kool-Aid and I feel fine. It was so refreshing to work with fabrics with a white ground and having dived into the whiteness of the Modern Quilt Guild mentality, I can truly see the excitement in the concept. I was so taken with the idea that the backing is of Michael Miller's Cotton Couture in soft white with a small pieced stripe strategically placed down the center. I also bound the quilt in snow Rock Candy. (Oh, and I also discovered that I need to take some classes and learn how to shoot white objects in a white room with full late-afternoon Maui sunshine. I had to readjust these images to get the colors to pop the way they should but they are not over-exaggerated - the colors are all wonderfully saturated pastels.)



I find it more fun to take on the challenge of working with triangles, to match the pieces to get the points dead on perfect, so I use very large triangles (12" wide at the base x 13" high from the bottom to the apex of the point) in my bed quilts.



From the scraps I made two standard-sized pillow cases - soft white with Tropical Sun-Kissed trim and this pieced decorative pillow. The other fabric that seemed to be part of the backbone of the quilt is my Siren Song. You'll notice it mixed in regularly and I love the way it just seems to be a natural color bridge to pull all of the other fun prints together!


Thursday, March 7, 2013

Q: What Do You Get When...

...you take 6 creative and enthusiastic quilt and fiber artists / internet bloggers and give them their choice of colors in 4 fat quarters of Mirror Ball Dot and 3 quarter-yard cuts of Cotton Couture from Michael Miller Fabrics?

A: A Blog Hop!

That is what I presented to these six participants, all of them dedicated fans of Mirror Ball Dot since the first release years ago. I gave them 2 fabrics in their choice of colors and 6 weeks to create a project and then blog about it. I encouraged them to think outside of their normal comfort zones by limiting the fabrics used to create whatever pleased their fancy: quilts, multi-dimensional objects, ideas that have been in the wings for ages.

Check out their blogs. They just might tease us with a sneak peek at what they're working on for the Blog Hop or just check out what they're currently working on, being inspired by and what makes these creative people tick.

Elisa Albury
http://stitchoutsidetheditch.com

Jamie Mueller / Sunflower Quilts
www.jamiemueller.blogspot.com
www.sunflower-quilts.com

Karen Neary
http://sewkaren-lycreated.blogspot.com/
http://www3.ns.sympatico.ca/sewkaren

Dory Smith Graham
http://worthygoodstextile.wordpress.com http://pinterest.com/worthygoods/mirror-ball-dot/

Linda Solovic
http://lindasolovic.blogspot.com

Nanette Zeller
 www.NanetteSewZ.com 


Thursday, December 6, 2012

Megablog

I know I've gone AWOL. Life has been keeping me busy, and it won't really settle until I return from visiting family for the holidays. So here's a month's or better worth of things I need to catch up to date...

Santa's Land at the Queen Ka'ahumanu Center - the turtle with the fuzzy red hat reminds me of my logo for the holidays

One of the few pics of me - here with my sister Dana at Makena Beach

Here's Ana'ole - turtle 4 - the hatchling that I named in the contest at the Maui Ocean Center

A sea urchin spiny thingy

One of my hats on display in the gift shop at the Maui Ocean Center

A puffer fish. He's endearingly cute but was about 18"-24" long and has sharp spines on his body that spike out pin cushion-like when he inflates himself

Just a peaceful beach shot

This place has been around since the creation of the islands. It's an institution in Wailuku

They serve onion rings - tempura style - at a chinese restaurant

Sweet and Sour Chicken with Chow Fun noodles. These noodles are actually sliced like carrot sticks and made from potato dough - YUM!

An offering at the Home Maid Bakery shop

Lunch at Leoda's in Olowalu - Spicy (fresh) tuna salad on thier bread with tomato and butter lettuce. Served in a metal pie tin lined with brown paper

Some of the best fries I have ever had! With an aioli - and ketchup of course

Dana's lunch was Fried Mac and Cheese with a marinara - we both had leftovers...

On the road leading to mine, I see a long neck serpent in the grass

Wild lilikoi (passion fruit) flower


The serpent again

This is how my hats were displayed in the booth for the Haleakala Waldorf Holiday Faire. We had a great location - on an end, at the bottom of a hill and by the second entrance to the event - that really helped with traffic 
The hats are all my fabrics - Surf's Up, Seal Pups, Mermaids of Hana Bay, Hibiscus - and the pillow cases - Cotton Couture, Shell Dot and Gingerbreadtown

Mac and Cheese with Peas, please! Red pepper flakes and Kiawe smoked Hawaiian sea salt. The background is Siren Song - color Rainbow

Grilled Shell-on Shrimp  skewered on fresh Rosemary twigs

The morning of October 15 - my mother's birthday 

Comfort food for lunch - when it rains there is quite a damp chill in Haiku and a lunch like this hits the spot!

Rooster Rumble
This wasn't too violent just two roosters plucking the feathers out of one another - but what a display!


These are boneless version of the  bone in ribs I made when Dana was here. Both were preseasoned with the smoked sea salt and crushed black pepper. Next I smoked them over macadamia nut wood then glazed them with Maui Brewing Company Root Beer Bar-B-Que sauce. Last they cooked slowly to dry them out a bit like chinese roast pork.


 Another ornate rooster and hen

One of several gingerbread boy doll fronts drying before construction