Showing posts with label Tie-dye. Show all posts
Showing posts with label Tie-dye. Show all posts

Tuesday, June 3, 2014

Birthday Quilt for Dad

My dad celebrated his 80th birthday on the 12th of April. Many conflicting schedules prevented us from celebrating the event on the actual day so we planned a party for him a month later. 

Aside from throwing the party, we couldn't decide upon an appropriate gift until Mom, my sister Dana and I thought it would be nice for me to piece together a quilt top using fabrics that were reminiscences of many of his favorite things. 

I used my signature triangle black and chose fabrics mostly of my own design, or some that I had worked on as a production manager or were the precise image we were seeking. They include puppy portraits of three of the family dogs, goldfish, wickerwork and dragonflies for his koi pond, tropical drinks, roses and veggies for his garden, and of course BBQ!

Included too are blocks of pieced and tie dyed GRAPHYX prints, BEADWORK, strike offs from my new collection CHROMA, DISCO DOT from the TANGRAM collection, SIREN SONG and up cycled shirts. The colors are warm and rich, accented by light and dark grounds, and the pointed corners of the triangles are softened by the linear blockiness of the grid-like quilting.

Most of the quilt framed in a shot taken in the back garden.

Koi, drinks, roses and Kali.

Tasha, BBQ, veggies and more koi.

Suki

 Kali

Tasha (and a woven strip shirt block) and a good example of the quilting.

I use the simple shape of the 12" x 13" triangle so I can concentrate on color and moving it around the surface of the quilt.


How the blues move and the brown and reds jump diagonally 

Sunday, February 23, 2014

Graphyx, Tangram and Disco Dot

GRAPHYX, my black-and-white collection, debuted last October at International Quilt Market in Houston, Tx. I designed it to be a study of positive and negative space. Each of the prints uses a different ration of black:white or white:black (is the glass half full or half empty?)

(Image courtesy of Hawthorne Threads)
From left to right: 
Tangram, North Star, Bevel, Corset, Fishbone and Camellia

I have not figured out the exact ratio of B to W in each design, but it is apparent simply to the naked eye. I know that Fishbone is 1/2 black and 1/2 white while Camellia is mostly white with a black flower outline, and Corset is more white to black. Bevel appears to have more black than white, and Tangram? What about Tangram? I'll show you more below.

Tangram                                              North Star

Bevel                                                    Corset

Fishbone                                              Camellia

 I decided to make a little study of the group. I pieced the six patterns together and then had the pieced cloth dyed. It is interesting how the print designs are contained within a given space yet the dye transcends those borders and roams freely across the fabric. My friend Meriah of Maui Tie Dye dyed the cloth and I was reminded of an important fact about fiber. I chose a color scheme based on a silk scarf - and silk dyes vibrantly and intensely. When the same formula for the silk was applied to the cotton, cotton's super absorbency and cotton being cotton, the colors came down and didn't give the same effect. Then the scan didn't do the fabric justice but I believe you understand what I am trying to convey.


Now back to Tangram. The same design used strictly in black and white was manipulated so some of the black was replaced by shades of grey, and portions of the white substituted with color. Then to juxtapose the lines and angles of the design, we paired each of the four color combinations with my good old friend Disco Dot.

The four colored versions of Tangram and Disco Dot are being released this month. 

From top to bottom for both designs: Brite, Clementine,Jewel and Neutral.








And for those of you who might believe they're having a sense of deja vu with Tangram, I had originally designed a quilt top and then revised the layout for the fabric pattern ;)







Saturday, April 20, 2013

So... Let the Hop Begin!


This is an exciting moment. A few months of coordinating, telephone calls, emails, mailing packages and great conversations have lead to this... the Mirror Ball Blog Hop.

I can guarantee that this will be informative, inspiring and creatively stimulating. We're also going to become well acquainted before we're through. I hope it's going to be like a great book or a movie series - for when it comes time to end we're sad because we spent so much time together and it's time to say, "Aloha."

With this first post the Blog Hop is officially launched. The concept was to get six designer/artists/bloggers - all Mirror Ball Dot enthusiasts - to work with the new color palette that was released last year. I limited the participants to four fat quarters of Mirror Ball Dot and one-quarter yard of 3 colors of Michael Miller Fabric's Cotton Couture. They were sent 1 yard of each color of Cotton Couture and were allowed to use their discretion in using it but just the same, I tried to limit what they were allowed to work with. The backing, batting, binding or other incidental materials were left to their choosing.

Over the next 8 weeks we're going to share ideas, thoughts and tips on working with the shimmery, glimmery, pearlized, iridescent geometric fabric call Mirror Ball Dot.







Each MBD Enthusiast will post on their respective blogs, so you're going to have to "hop" around, and at each stop you'll have an opportunity to win a Mirror Ball Dot color card and one Fat Quarter of 5 colors of your choosing of Mirror Ball Dot fabric. This week for my post it's real easy to win! Simply leave a comment and a winner will be chosen at random. Winner to be announced in next Sunday's blog post.


April 21:  Mark Hordyszynski - Launch of the MBD Blog Hop and his project
April 28:  Jamie Mueller / Sunflower Quilts - www.jamiemueller.blogspot.com
May 05:   Linda Solovic - http://lindasolovic.blogspot.com
May 12:   Karen Neary - http://sewkaren-lycreated.blogspot.com
May 19:   Elisa Albury - http://stitchoutsidetheditch.com
May 26:   Dory Smith Graham - http://worthygoodstextile.wordpress.com
June 02:  Nanette Zeller - www.NanetteSewZ.com
June 09:  Mark Hordyszynski - Close of the MBD Blog Hop / More MBD Inspiration / Judging for Blog Hop Winner              

So, without further ado, here is...
Pieced Tapa                          

Tapa in Hawaiian is a paperlike cloth. The designs are typically geometric: squares, triangles, diagonal and criss crossing lines, curves forming pointed ovals and 4-leaf clover shapes.

I chose: 4 FQs of Mirror Ball Dot in Onyx, 2 x 1/4 yards of Cotton Couture in Soft White and 1/4 yard in Lava. In addition (with the exception of the Lava C.C.) I was going to alter both fabrics before using them in my piece.

There are two basic methods for altering fabrics: Discharge - the removal of color from a fabric - and Dyeing/Painting - the addition of color to a fabric. Both are explained below.

Pieced Tapa (20" x 30")

Mirror Ball Dot: Onyx

Cotton Couture:
Soft White (tie dyed); Lava

Siren Song: Sunset











Here are two examples of using Mirror Ball Dot with discharge and dyeing (or in this case spattered dye could be called painting).

Snow MBD overdye-spattered with black India ink using an eye dropper - a perfect compliment to the metallic-pearl dot.

Choose a paint or dye that is suitable for the fabric you have selected, and follow the manufacturer's directions for use.

Always test a sample piece of fabric before engaging in the bulk of your project. This helps determine whether your materials are compatible and allows you to get a feel for working with your
technique.
                                                                                                                
Onyx MBD discharged using bleach (or a specially formulated product) to remove color from a fabric. This technique, even more than dyeing, is unstructured and tends to be unpredictable but very fun and  gratifying. 

Different fabrics discharge differently, and many factors determine the outcome, all of which come to play in the end product. Here, bleach is applied to the cotton fabric, and the fabric is placed in the sun. The bleach saturated areas will fade and discharge the color. Things to consider: Are you using 100% bleach, 50% bleach / 50% water, or some other combination of bleach and water? Is it a bright, sunny day or slightly to mostly overcast? Dark colors show better contrast than light colors do. Be assured that whatever circumstances prevail, your results will be unique for that piece of fabric.

Please note: Do avoid using chlorine bleach on any synthetic fiber; the damage is irreversible.

The discharged Mirror Ball Dot shown was done many years ago, was part of my stash, and I was looking for an excuse to finally use it. Ergo, I'd use it in this project!





So that was decided. The Cotton Couture I planned on tie-dyeing for a look and colors that were a modern interpretation of actual tapa cloth. I needed it to be done fast and efficiently with guaranteed professional results - and that is why I turned to my good friend Meriah of Meriah's Maui Dyes - my go-to gal for all things dyed. Of specific note to all you dyers out there: She said of tie-dyeing the Cotton Couture: It dyed better and nicer, with high saturation of dye and color, than some PFD cottons available in the market!

Meriah did a wonderful job and I couldn't wait to get it home to see it next to the MBD discharge.

I barely got through the front door and the two fabrics were out on my work table lying next to one another and... (Home Alone face) - CLASH! The discharge process turned the black background of the Mirror Ball Dot fabric a dark, deep, rich brown-black and there wasn't enough contrast between it and the tie dye - luckily I still had the yard of Onyx so that got thrown into the arena instead.

It wasn't until I was piecing the top together that I decided to throw in a curve ball - something I like to do - adding a sense of the unexpected - so I worked in one of my favorite colors and shades of orange - that fiercely intense warning orange (or as Pantone would have it - Tangerine Tango) to throw the top off kilter slightly, and the quilting came to me in my unrestful sleep that same evening. 


The binding - Siren Song in Sunset - was chosen because again, it's that great shade of orange striped with purples, and I had a piece that was just large enough to cut binding strips from.





















Painting and Dyeing:

Supplies:
100% cotton fabric         Fabric paint or dye of your choice          Eyedropper for spatter
Bristle or foam brush for painting             Protective Gloves          Covered work space

Spatter:
1. Fill an eyedropper with paint or dye. Slowly and carefully squeeze a single drop from the eyedropper onto the fabric. (The further away from the fabric the bigger the "splat".) First work in a circular motion across the fabric, and then in a grid pattern, manipulating the drops to cover the surface of the fabric to your liking.

2. Allow the dye to set or the paint to dry according to the manufacturer's directions. Heat set as needed by ironing on the wrong side of the fabric.

Paint:
1. Paint the color onto the right side of the fabric with a bristle or sponge brush. Dilute paint and dye to produce a softer watercolor look with feathered edges. Undiluted dye or paint will produce solid color with very little bleeding.

2. Allow the dye to set or the paint to dry according to the manufacturer's directions. Heat set as needed by ironing on the wrong side of the fabric.


Discharging: 
The conditions described are an ideal scenario. Adapt as needed to your particular situation.

Supplies:
100% cotton fabric for discharging          Squeeze bottle with a very narrow tip
Bleach          Hydrogen peroxide          Bucket of warm, soapy water     Protective gloves

1. Gather all supplies in a centralized place, in a bright, sunny spot.

2. Place the fabric right side up in the sun. If you are concerned about damaging your work area, protect it with plastic.

3. In a bucket, mix 1 cup of hydrogen peroxide to 1 gallon of warm, soapy water.

4. Put on gloves and fill the squeeze bottle half-full with bleach or a diluted solution of bleach and water to your preference. Then drip, squirt, squeeze or dribble the bleach (or mixture) onto the fabric. When it has been covered sufficiently, stop. The sun and bleach will react immediately and lighten the color of the fabric.

5. After the desired discharged effect or lightness has been achieved (after no more than 5 minutes), put on gloves, and plunge the fabric into the peroxide bath to neutralize the bleaching reaction. Soak for 20 minutes.

6. Rinse the fabric thoroughly in clean water. Machine wash the discharged piece of fabric with soap and liquid fabric softener on a gentle cycle. Dry on lowest temperature.